|
Roberto Carnevale (born 15 June 1966) is an Italian composer, pianist and conductor. == Biography and career == Born in Catania, he started studying piano at the age of seven. He took a degree in Arts at the University of Catania and he attended the Accademia Musicale Chigiana in Siena. He studied under Roberto Bianco (Piano), Franco Donatoni〔http://www.ccb.pt/sites/ccb/pt-PT/CCB/Documents/Pgr.Sala%20MVIVA09.pdf〕 (Composition), Salvatore Enrico Failla (Musicology) and Ferdinand Leitner (Conducting). He is professor of History of Music and Assistant Headmaster at the Catania Musical Institute Vincenzo Bellini, and Headmaster at the CEU. In 1988 he was awarded the international prize “Council of Europe”. His composition have been played all over the world by famous musicians and orchestras (Claudia Antonelli, Giovanni Sollima,〔(【引用サイトリンク】title=Archivio / SOLLIMA, Giovanni ; Piss Animal Peace (1995), per 3 violoncelli e tastiere / Giovanni Sollima ; Primo Ionno Delfico (1995), per voce e clavicembalo / Giuseppe Cantone ; Dans le brouillard de la nuit (1995), per clarinetto e pianoforte / Sergio Pallante ; Malor me bat, graffito da Ockeghem per Luigi Nono (1995), per trio d'archi, 3 bottiglie soffiate e crotali / Federico Incardona ; Dietro il reale (1993), per pianoforte / Carmelo Caruso ; La civetta (1995), per voce recitante, soprano, strumenti e nastro magnetico / Armando Gagliano ; A poem of John Keats (1995), per soprano, clarinetto e pianoforte / Francesco La Licata ; Zisa (1994), per violoncello / Marco Betta ; Raum genug ist für alle (1994), per voce femminile e ensemble / Giovanni Damiani ; I miei orologi (1995), per clarinetto, viola e pianoforte a 4 mani / Roberto Carnevale ; 5 [Cinco] Liriche su testi di Guido Nicola Orecchio (1995), per soli, coro, clarinetto e pianoforte / Giovanni Ferrauto [notice 29084]. Š Ircam – Centre Pompidou 1996–2011. Médiathčque de l'Ircam – Centre Pompidou )〕 Marco Betta, Tonino Battista, Riccardo Risaliti, Aldo Bennici, Vera Beths, Henk Guittart, Maurizio Ben Omar,〔(【引用サイトリンク】title=Arcobaleni )〕 Gidon Kremer,〔(【引用サイトリンク】title=ViolinistiNet – Spartiti Gratis, Violino, Lezioni, Forum, cercasi, violinista,violin,: aprile 2009 )〕 Graziella Concas, Marina Leonardi, Giorgio Magnanensi, Daniel Schweitzer, Logos Ensemble, Octandre Ensemble, Ensemble Modern, Groupe de Musique de Musique Electro-acoustique de Bourges, Klami Ensemble, Calamus Ensemble,〔(【引用サイトリンク】title=www.calamusensemble.it )〕 Keldisc Group, Kronos Quartet, L'Offerta Musicale Ensemble, Soloists of Santa Cecilia Academy, Soloists of Teatro La Fenice, Soloists of ORT, London Chamber Group,〔[http://at.orpheusweb.co.uk/lcg/type/wq.htm ]〕 Ensemble Foriani, Ensemble Belliniano,〔http://www.ensemblebelliniano.it/repertorio5.html〕 West Chester University Orchestra, Amadeus Chamber Orchestra, Ploesti Philharmonic, Vilnius State Orchestra, etc.).〔''Enciclopedia Italiana dei Compositori Contemporanei'', a cura di Renzo Cresti, ISBN 88-87463-07-7, p.126.〕 He is known for his use of multiple styles or techniques of music, sometimes within the same composition, and is seen as a postmodern characteristic. He explores a number of different areas of style and tone alongside the glittering, intricate, sonically alluring idiom that announced itself so strikingly in the I miei orologi〔 (1995) for trio, an example of his flair for an openly mediterranean approach to instrumental sonority, articulated in cascading figuration and complex metres.〔«Archivio – Musiche del XX secolo», pp. 68.〕 His music of the 1990s continued to emphasize complex mechanical rhythms, often in a less densely chromatic idiom (tending to favor displaced major and minor triads and polymodal structures); his scores make huge technical demands on performers; sometimes, as in the case of Huaco〔Roberto Alosi, ''Siculorum Gymnasii Musica'', University of Catania, 1990, p. 25.〕 for orchestra, creating parts that are so detailed they are likely impossible to realize completely. He views compositions as reification and formal structures of abstract ideas; but «he realizes in a use of isolated sonorities, extended playing techniques, frequent silences and ironic quotation of previous music».〔''Il clavicembalo nella musica contemporanea italiana'', edit by D. Saviola e M.P. Jacoboni, pref. Mario Baroni, catalogo e ricerca a cura della Associazione Clavicembalistica Bolognese sotto l’alto patrocinio del Ministero per i Beni e le Attività Culturali, p. 137〕 Carnevale’s actual compositional approach, rejects serialism and other generative methods of composing; he prefers instead to use systems only to create material and formal constraints. Carnevale's music combines the influences of serialism and American minimalism. His harmonic writing eschews the consonant modality of much minimalism, preferring post war European dissonance, often crystallised into large blocks of sound.〔(【引用サイトリンク】title=ricerca per lettera | CIDIM – COMITATO NAZIONALE ITALIANO MUSICA )〕 Carnevale's music is published by LIM〔http://opac.sbn.it/opacsbn/opaclib?db=iccu&select_db=iccu&nentries=1&from=34&searchForm=opac/iccu/error.jsp&resultForward=opac/iccu/full.jsp&do=search_show_cmd&rpnlabel=+Autore+%3D+carnevale+Roberto+&rpnquery=@attrset+bib-1++@attr+1%3D1003+@attr+4%3D2+%22carnevale+Roberto%22&totalResult=47&ricerca=base&fname=none&brief=brief〕〔(【引用サイトリンク】title=LIM Editrice (Libreria Musicale Italiana), distributed by OMI. Complete Listing of Series, arranged numerically )〕 (Lucca), Verlag Neue Musik〔(【引用サイトリンク】title=Verlag Neue Musik )〕 (Berlin), Suvini Zerboni〔''Intorno a Bellini-12 composizioni contemporanee'', Suvini Zerboni, ISMN M-2156-0141-3, pp. 60–61.〕〔http://opac.sbn.it/opacsbn/opaclib?db=iccu&select_db=iccu&nentries=1&from=32&searchForm=opac/iccu/error.jsp&resultForward=opac/iccu/full.jsp&do=search_show_cmd&rpnlabel=+Autore+%3D+carnevale+Roberto+&rpnquery=@attrset+bib-1++@attr+1%3D1003+@attr+4%3D2+%22carnevale+Roberto%22&totalResult=47&ricerca=base&fname=none&brief=brief〕 (Milan), TEM-Taukay Edizioni Musicali〔(【引用サイトリンク】title=TEM – Taukay Edizioni Musicali )〕 (Udine), NEN (Palermo), CULC (Catania). His recordings appear on the Edizioni Carrara (Bergamo), Pongo Records (Paris), Suvini Zerboni (Milan), CIMS (Palermo), Pagano Editore (Naples), Union-Records (New York), NEN-CD Classica (Florence), etc. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Roberto Carnevale」の詳細全文を読む スポンサード リンク
|